Friday, 14 October 2011
Magazine Advert Construction
Digipack Construction

Music Video Construction
ain character with dreamy footage of the machine's red light. This would imply that transition between reality and the main character's memories that he will begin to explore. To achieve this effect I put the two video clips on top of each other in the timeline. I then decreased the opacity of the top clip, allowing the bottom to show through.
Filming Days 1, 2, 3 and 4
Monday, 26th Sept. 2011 - Day 2
The next day, Oliver and Zoran showed up at my house to begin filming the interior scenes of the inventor's house. We then went about the task of making a mug of coffee for the inventor, played by me, to be seen drinking. We were more limited than we thought by the cramped space in the garage so we could not match the storyboard drawings as well as we thought.
To start Zoran filmed Lawrence playing his drum part, stopping in the middle to change angles so we could see his face more. I then filmed Cai playing his guitar part and miming. I made sure while I was operating the camera to zoom into Cai's face as the vocals begun, as this would enhance the 'star image' of Cai that were trying to create. After Zoran had filmed Lucy performing her bass part for the song, we finished with filmed the entire band. We made sure to have the whole band in most of the shots, frequently focusing on one member of the band at times.
We wrapped filming. Now we had all the shots necessary to compile all the shots we had taken in editing to create our music video.
Risk Assessment
Damaging equipment.
What is at Risk?
The instruments and camera.
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The Risk?
Dropping/breaking the camera.
The camera.
The level of the risk?
Again we will have to be extremely careful when using the camera. This means making sure that properly attached to the tripod when in use and when not using the tripod making sure that we have a firm grip on it. There is a case for the camera which protects and we will use that when the camera isn’t being used.
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The Risk?
Losing equipment.
What is at Risk?
The equipment.
The level of the risk?
Very unlikely.
Prevention?
The props we are using are too big to be easily lost. However, we still make sure that we remember where we place everything so that if we need to re film we know where the props are. We also need to make sure that we bring all of the equipment back once we have finished filming at a location.
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The Risk?
Breaking the tripod.
What is at risk?
The tripod.
The level of the risk?
Very unlikely.
Prevention?
The tripod isn’t very strong and it is easily portable. We will need to make sure that we are being careful with the tripod so that it doesn’t break.
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The risk?
Health and safety of crew.
What is at risk?
The crew.
Level of the risk?
Unlikely.
Prevention?
Be extremely careful when crossing roads and making sure that we do not trip.
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The risk?
Weather.
What is at risk?
The equipment.
Level of the risk?
Unlikely.
Prevention?
If the weather is poor and it is heavy rain than this means we will have to film outdoor at another time so that the camera isn’t damaged.
Thursday, 13 October 2011
Tuesday, 11 October 2011
Locations
Abandoned House/Fields

The dilapidated brick work suits the narrative because it seems like a crazy inventor could be working away in there, building a machine.


Animatic & Storyboard
Saturday, 8 October 2011
Props



These are instruments and musical equipment that will appear in the video: a microphone, a drum kit, a bass guitar and an electric guitar. The items are already at the band's rehearsal space.
The Machine:
I assembled the machine in my garage, ready for filming. The image shows other props, such as a chair, headphones, a vinyl player and an amp are all used to create the overall look over the inventor's machine. I also used wires coming from the machine and at the end of one of them is a plastic circular mat, which I have used to emulate a heart monitor.
Overall, I am extremely pleased with the look of the machine, surrounded by all the books, which makes it look really lived in and like the inventor has a breadth of knowledge at his fingertips.
Note:
In many ways, this is the most important prop of the piece, well certainly of the narrative anyway, because is the source of propulsion within the plot - it gives the man the reason to be at this mysterious house.
I made the note by cutting out a business card-sized piece of paper. I then wrote down the address and message. The yellowed paper implies that the note is old and has been used many a time to lure unfulfilled, unhappy people to the inventor's place of work. I achieved this style by wiping the paper with coffee. I then tore the paper to make it look like it had been through a lot over the years.
Side note: The address, which contains the word/name 'Sigmund', refers to Freud, the famous pyschologist.
Costume
Below are the basic costumes I intend the performers of our music video to wear:
Costume for the main character.
Costume for inventor of the machine.
Mock Up of Digipack:-
Music Video Track & Permission
The song, 'Made of Concrete' was selected by the band and it coincided with some of the strange, surreal ideas we had for our music video. The song is, musically, based around riffs. This is common of Indie Rock, and the selected song has a notable signature riff that sounds very dreamy and serene.
Below is the permission to use the track and a request to film the band performing the song:
The lyrics are based around urban decay and perhaps a lost love. I will not get to concentrated on the lyrics, however, as I asked Cai, the lead singer how he writes his lyrics, to which he responded that they rarely mean anything and are always crafted around the music at the last minute. This does not mean, however that they are poorly written. I think this is a fantastically inventive lyric.
Made of Concrete
(Cai Burns, 2011)
You get so scared
Even when there's friends there
You really wanna walk out
Even though you're stuck now
And you feel the pain in your feet
Because the floor is made of concrete
And you try to make them turn 'round
But you've travelled way too far now
You dream of being somewhere
So you don't have to be here
But you don't even know where
You could find a place that
Remotely matches your plan
Of a castle in the Outlands
So you think of all that you can
And you take ahold of their hand



